Maria forsa. Romance Molly, lingénue perverse Marie Forsa, Peter Loury, Chris Chittell, Eva Axen 2019-05-05

Maria forsa Rating: 6,6/10 1362 reviews

Romance Molly, lingénue perverse Marie Forsa, Peter Loury, Chris Chittell, Eva Axen

maria forsa

It does take full advantage of the Swedish sense of wild abandonment and freedom to 'get it on' in all kinds of sometimes surprisingly languidly-paced X-rated scenarios liberally stuffed to the brink of acceptable decency with mostly-cheeky sex games initiated by pouting girls wearing gossamer-thin babydoll nighties - yes; in the middle of the afternoon and the seducing of posh older men with ease on the way home from that hotbed of unridled passion; the Swedish finishing school hooray! Although in most of her movies, she was said to have 'gone all the way' with her co-stars, she also demanded that her 'going all the way' was never actually shown on camera. She was seemingly happy to have sex with co-stars in front of the camera even when not called on to do so, but then remain coy in what actually ended up in the finished movie - her contract was clear that no actual sex could ever be shown, yet it's obvious to all that she's doing it anyway, and the bits she didn't want shown, she allowed a stand-in to be used, making the contract as good as redundant. Flossie tells her story first: the time she romped with her best friend at finishing school and also nearly got it on with a local lad in the dorm when the girls played 'Lovemaking Russian Roulette' again, this is Sweden remember, the country of free love and wandering hands, not bullets with the blindfolded boy until he chooses - by touch - who he wants to sleep with. She flirts with the camera, the cast, us - anyone can join in. I don't think Flossie is a great movie, it's very quick to get to the naughty bits and doesn't dwell much on character development - I don't have to even watch this film in English to know that the script is bare naked basic.

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SEAT AT THE BACK

maria forsa

Some critics say she can't act. But she is a star. The main memory stuck in my head after watching Flossie though, isn't the naughty bits, the sometimes gorgeous locations, or even the groovy music - it's Marie Forsa's nearly constant and clearly quite real smile. Which isn't to say that Marie Forsa doesn't do her bit for Sweden here too, because she does. But not a name than many have heard of.

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Romance Molly, lingénue perverse Marie Forsa, Peter Loury, Chris Chittell, Eva Axen

maria forsa

The film does has a certain amount of class running through it though and is played for fun. I didn't do a frame by frame comparison or looked for it on any site, because I wasn't really interested in that. Yet what shines through most in such Swedish fare as Flossie and Molly and all those other single-named or saucily-titled Swedish smorgasbords of sex nonsense is that, clearly - everyone is having a lot of fun! In this case the very beautiful and blonde main character can not convince her friend to follow her, but her encounters are plentiful. Head, shoulders and high heels above all other nubile nymphomaniacs working in the Swedish sex film genre ok, except perhaps for Christina Lindberg, but she had an unfair advantage over everyone else in that she could really act was Flossie's young and effortlessly charismatic star; Marie Forsa, who is probably the only reason this film is still talked about - at all, today. Well, that's what friends are for! As a boy watching Metalstorm in 3D, I was sold for life, and the really underrated and hugely enjoyable sci-fi monster-splashy thrills of DeepStar Six had a similar impact on my thirst for low budget monster movies that nobody else seemed to care about. But Flossie doesn't want to go all the way.

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SEAT AT THE BACK

maria forsa

Having said that, the movie is a classic story sex scenes left out of that equation of a village girl dreaming big again no pun and going out to the big world. Marie Forsa only starred in seven movies, the few others she appeared in were too fleeting to count. Knowing that Forsa could be getting jiggy for real certainly makes the sex films she appeared in more fun than a Carry On movie in terms of raised temperatures - unless Barbara Windsor really did do the dirty deed with Sid James. By the time the 1980's broke through in a bubble of big hair and brighter bras, Forsa had quit the movies having been reduced to roles as humbling as 'Girl in Aquarium' and 'Girl in Sauna' at the end of the decade that spawned her while Lindberg struggled into the 80's with just two roles - as an uncredited 'Mistress' and a credited, but no less humiliating, 'Stripper'. Marie Forsa didn't get it all her own way at the start of the 70's. One is soft-core and the other you guessed it is hardcore.

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SEAT AT THE BACK

maria forsa

You may need to remind yourself from time to time watching this movie that Sweden also gave us the wonderfully life-affirming, life-changing films of Ingmar Bergman. It's a time capsule movie then, one that hasn't rusted away over the years. The film is heavy with eroticism. A beautiful young country girl tires of life on the farm and her handsome but boring boyfriend. Just five years after Flossie and Marie Forsa appeared in her final film as 'Girl in Bathtub - Uncredited'.

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Butterfly (1975)

maria forsa

. She dreams of a glamorous life as a fashion model in the big city, so one day she leaves the farm to pursue her dream. And cast members talk of how the on-screen sizzle playing opposite Forsa lasted well beyond the point when the cameras were switched off. It's like tales around the campfire Swedish-style with brandy and cigars instead of marshmallows and sausages. The Seduction of Inga was itself a sequel to Sarno's far more renowned 1967 movie homage to female pleasure, simply called: 'Inga'. Marie Forsa oozes charisma and cuteness throughout the movie. Written by First up, there are two versions of this movie.

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SEAT AT THE BACK

maria forsa

She's achingly pretty which helps and relentlessly quirky; she hold the gaze of the camera lens like only a few actresses can. By the end of the movie Captain Jack beds Flossie's older companion, Eva, who then waits around and watches while he proceeds to bed her younger ward in the film's literal climax. This recollection could of course be born of a publicity scam, fuelled by cruel rumour, be nothing other than idle tittle-tattle, or maybe just a touch of wishful thinking among some lonely crew member looking for some action. But the rumours persist to this day. Ahlberg really went on to better things as a cinematographer on films such as Metalstorm: The Destruction of Jared Syn, Ghoulies, House, Re-Animator, DeepStar Six, Robot Jox and Puppet Master: The Legacy.

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Romance Molly, lingénue perverse Marie Forsa, Peter Loury, Chris Chittell, Eva Axen

maria forsa

Off camera too, Forsa was said to have seduced some of the lucky crew on every film she worked on. But how much of that is true - we may never know. Which is just about the entire plot of Flossie. If that's just a false memory, I don't care - it was, like everything else about Marie Forsa and her movies, real enough. While Ahlberg may not have had quite the same wild and wonderfully abandoned reputation as Sarno who was known for filming sex from an orgasm's point of view, framed with a decent back story and plenty of social suburban realism in place for keeping even the most explicit coupling almost always - seemingly - entirely justified by context he certainly helped give Forsa some of her finest hours and a few unfaked on-screen orgasms as well, by all accounts. If that doesn't make the poor chap need Viagra the rest of his life, I don't know what will.

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Butterfly (1975)

maria forsa

Her career was one that enthralled with tales of on-set seduction, of a cool-headed girl having fun with an insatiable appetite for cast and crew as well as life. Probably, quite often, they did. Then again, there's quite a few sausages in Flossie too. She's not a great actress. It's one of the randiest covers around - and entirely appropriate! Forsa's only comparable movie to the lurid likes of Lindberg's 'Thriller' is the 1973 horror movie, The Devil's Plaything - Joe Sarno's lusty vampire tale and Forsa's first major role. Most of her best films were for smart-smut master of suburban sauciness, director Joe Sarno, but in the case of Flossie, Forsa got down and dirty for the slightly lesser-masterful, but still deliciously smutty director, Mac Ahlberg.

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SEAT AT THE BACK

maria forsa

Not on screen though, surely. Swedish sex comedies will never get much critical acclaim anyway, however good they are - Forsa makes a slightly dull film as, at times, Flossie can be into something a bit delicious. There was no freedom to be loved with the monogamy that Liljedahl had earned, and Forsa's endearing blonde hair and blue-eyed appeal had an equally appealing alternative in the sex siren stakes from a defiantly brown-eyed and dark-haired Swedish saucepot of even more ample proportions than either Forsa or Liljedahl could offer - her name; Christina Lindberg. In-between all this rumpy-pumpy in the ramparts filmed in Engholms Castle, Stockholm both Flossie and Captain Jack tell each other rude stories. How cultivated this mysterious secret life was mostly calculated and created by Forsa herself, or by the filmmakers she worked with, we may never know.

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